I am thinking the best thing to do is pick up a used Apollo 16 and sell the Ensemble and Digimax FS, and keep the Rosetta 200 to use via the Apollo's AES I/Os. All is clocked with an older Lucid GenX6 for 44/48Khz mixes, and clocked internally from the Ensemble for 88/96Khz material. This allows me to hear my ITB mix on Dangerous ST input 1, and my OTB mix on input 2. Also use a Rosetta 200 via SPDIF from the Ensemble for ITB monitoring. ![]() For tracking and mostly mixing, I currently use an older Apogee FireWire Ensemble with a Presonus Digimax FS via ADAT, those feed a patchbay normalled to a Folcrom for OTB mixing.
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